Lady Gaga to headline at Coachella

mardi 28 février 2017

Attention Little Monsters: Lady Gaga is coming to Coachella.

The diva announced Tuesday night she will be performing at the music festival for both weekends in April. Gaga will take the headlining spot that had been Beyonce's; pregnant with twins, the superstar announced last week that her doctors recommended she bow out. She rescheduled her performance for next year.

The Coachella website also reflected her announcement, showing her slated to perform April 15 and April 22.

Gaga is set to launch her Joanne world tour this summer, so Coachella will be a warm-up for her of sorts. That tour will kick off with dates in Vancouver and Edmonton in early August, with shows in Montreal and Toronto in September.

Gaga is coming off a pair of high-profile performances this month – at the Super Bowl in Houston, and a turn with Metallica at the Grammys in Los Angeles.

Besides Gaga, other performers at the Coachella Valley Music and Arts Festival in Indio, Calif., include Radiohead and Kendrick Lamar.

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Lady Gaga to headline at Coachella

Live TV is coming to YouTube — unless you live in Canada

More than 40 live television channels are coming to YouTube this year for $35 US a month — but only if you live in the U.S.

The new service, dubbed YouTube TV, "will be available soon in the largest U.S. markets and will quickly expand to cover more cities across the country," the company announced on Tuesday.

But those in Canada and other international markets will be waiting a while longer to cut that cord.

"YouTube TV is a U.S.-only app at this time," according to a statement from an unnamed YouTube spokesperson. "This particular proposition is unique to the U.S. TV market and any further roll out will be considered with the local market in mind." 

How does it work?

The streaming service will be accessible via YouTube's mobile apps or website, and includes a cloud DVR feature with unlimited storage (though recordings can only be stored for up to nine months). 

YouTube is working with local TV network affiliates in markets where YouTube TV is available to offer local sports, news, and other regional programming.

A subscription includes access to the four major U.S. networks — ABC, CBS, FOX, and NBC — as well as channels such as ESPN, The CW, Disney, MSNBC and Fox News. Showtime is also available for an added fee, but premium networks such as HBO and AMC are not available.

The service is similar to Sony's PlayStation Vue service, Dish Network's Sling TV, and AT&T's DirecTV Now, all of which offer an overlapping, though not identical, selection of channels in a similar price range to YouTube TV. Much like YouTube TV, those services are only available in the U.S.

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Live TV is coming to YouTube — unless you live in Canada

'There's no joy there': Nothing funny about Trump, says CBC satirist Rick Mercer

Saturday Night Live is mining comedic gold from the new Donald Trump administration, but Canada's premier satirist Rick Mercer finds nothing funny about U.S. politics.   

'There is serious harm being done.'- Rick Mercer

"I'm aghast; I'm aghast and shocked every single day," Mercer told CBC Radio.

Mercer has been making viewers laugh on CBC-TV for more than 20 years, and tonight his show will go up against Trump's first speech to Congress, outlining his agenda. The Rick Mercer Report will instead focus on some Canuck content, including an ice boat race and construction of Parliament Hill.

"There's no joy there," Mercer said of Trump. "A lot of people think, 'Oh this must be great for people in your business,' and I don't think anybody in my business wishes ill on the world or the country just to make their job a little easier."

Mercer shocked, but unsurprised 

Though Mercer said he is "shocked" daily by Trump, he is not surprised to see the new U.S. president moving forward with controversial projects like a border wall with Mexico. After all, Mercer said, these are promises that were made on the campaign trail.

Alec Baldwin as Donald Trump

Saturday Night Live actor Alec Baldwin has scored a big hit playing the part of U.S. President Donald Trump. (NBC/YouTube)

Mercer, however, is worried about Trump's attempt to discredit the media. 

"I find the full frontal assault on the New York Times, The Washington Post, CNN, CNBC … I find that all very disconcerting and perhaps the strangest thing that I've witnessed in my lifetime in the western world."

It's these darker aspects of Trump in office in which Mercer finds no joy.

"A lot of satirists are on the left and so they often shine when they have something to complain about. But it's one thing to have something to complain about; it's another thing when you feel like there is serious harm being done."

Trump has support

Known for his politically astute rants, Mercer also offered a critique to Canadians who might be feeling smug and secure in their belief that a Trump-like administration could never find traction here.

Mercer said that there are many Americans who support Trump, and that "one would have to think that a big chunk of Canadians are probably quietly thinking he's doing a good job."

The Rick Mercer Report airs Tuesday at 8 p.m. CST on CBC-TV. 

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'There's no joy there': Nothing funny about Trump, says CBC satirist Rick Mercer

Osheaga 2017: The Weeknd, Muse, Lorde top eclectic lineup

The Weeknd, Muse and Lorde will headline Osheaga's 2017 edition this summer.

Now in its 12th year, the expansive Montreal music festival announced its lineup Tuesday. The list includes many big names in alternative and electronic music like Alabama Shakes, Major Lazer, Father John Misty, Solange, Foster the People and the Shins.

Broken Social Scene, Tegan and Sara, Arkells, Death From Above 1979 and PUP are among the Canadian acts on this year's bill. Osheaga organizers plan to announce more names as the festival nears.

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Many Canadian acts are on this year's lineup, including Tegan and Sara. (Chris Young/Canadian Press)

The three-day festival runs August 4, 5 and 6 at a new, temporary location on Île Notre-Dame at Montreal's Parc Jean-Drapeau.

The main site — at the park's Île Sainte-Hélène — is being renovated and will not return until the 2019 version of the fest.

Weekend passes are on sale, but single day passes will not be offered until closer to August.

Many have been speculating who would be on this year's lineup since organizers released a memory game last week. Several of the predictions made the lineup, which can be found below.

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Osheaga 2017: The Weeknd, Muse, Lorde top eclectic lineup

Biggest Loser host Bob Harper 'better' after heart attack

Biggest Loser host Bob Harper says he's "feeling better" and "taking it easy" two weeks after suffering a heart attack.

Harper made the statement on Facebook on Monday after news of the Feb. 12 attack became public.

Harper told TMZ he collapsed while working out at a gym in New York. A doctor also in the gym performed CPR on him.

The 51-year-old Harper said he spent eight days in a New York hospital.

Harper has been with NBC reality weight loss show Biggest Loser for all 17 seasons since its 2004 debut. He served as a trainer on the show until 2016, when he took over as host.

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Biggest Loser host Bob Harper 'better' after heart attack

Academy apologizes for Oscars best picture gaffe

The Academy of Motion Picture Arts and Sciences is apologizing to the cast and crews of the films La La Land and Moonlight for the mistaken announcement of the best picture winner during Sunday night's Oscars award ceremony.

Huge Oscar mix-up: wrong best picture announced2:49

The academy's apology comes after the accounting firm responsible for the integrity of the Academy Awards, PwC, said mistakes were made and its staffers did not move quickly enough to correct the biggest error in Oscars history.

"We deeply regret the mistakes that were made during the presentation of the best picture category during last night's Oscar ceremony," the Academy said in a Monday statement.

"We apologize to the entire cast and crew of La La Land and Moonlight whose experience was profoundly altered by this error."

The academy also apologized to presenters Warren Beatty and Faye Dunaway and to fans watching around the world.

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It has emerged that actors Faye Dunaway and Beatty were handed the wrong envelope for the final award presentation Sunday night. (Kevin Winter/Getty Images)

The Academy's statement noted that PwC, formerly Price Waterhouse Coopers, has been entrusted with handling Oscar votes for 83 years but said the Academy "will determine what actions are appropriate going forward."

PwC wrote in its own statement that several mistakes were made and two of its partners assigned to the prestigious awards show did not act quickly enough when La La Land was mistakenly announced as the best picture winner. Three of the film's producers spoke before the actual winner, the coming-of-age drama Moonlight, was announced.

"PwC takes full responsibility for the series of mistakes and breaches of established protocols during last night's Oscars," PwC wrote. It said its partner, Brian Cullinan, mistakenly handed presenters Beatty and Dunaway an envelope containing the winner of the best actress award.

"Once the error occurred, protocols for correcting it were not followed through quickly enough by Mr. Cullinan or his partner," the statement read.

It did not address in detail which protocols were violated, or say whether a now-deleted tweet Cullinan sent about best actress winner Emma Stone before the best picture announcement contributed to the mistake.

'We failed the academy'

The firm, which has handled Oscar winner announcements for eight decades, apologized to Beatty, Dunaway, the cast and crew of La La Land and Moonlight, the Academy of Motion Picture Arts and Sciences, and host Jimmy Kimmel.

"We wish to extend our deepest gratitude to each of them for the graciousness they displayed during such a difficult moment," the statement said.

"For the past 83 years, the academy has entrusted PwC with the integrity of the awards process during the ceremony, and last night we failed the academy."

The statement came after nearly a day of speculation about how the worst gaffe in Oscars history unfolded. The fiasco launched countless punchlines, memes and a probe of what went wrong.

Oscars tweet

A now-deleted photo of best actress winner Emma Stone was apparently posted to Twitter by PwC partner Brian Cullinan from backstage at the Oscars minutes before the mix-up. (Twitter)

The mystery deepened Monday afternoon after the Wall Street Journal reported that Cullinan tweeted a behind-the-scenes photo of Stone holding her statuette. "Best Actress Emma Stone backstage!" the tweet read.

The tweet, sent moments before the best picture announcement, raised the question of whether the accountant was distracted from the task at hand. Although the tweet was deleted from the social media site, a copy of it was kept by Google and available through a cache page.

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Cullinan is seen at left with Beatty, Oscar show producers and others in the show's chaotic final moments. (Lucy Nicholson/Reuters)

The mistaken announcement altered the usual celebration that follows the coronation of a best picture winner. The only Oscars mistake that came close occurred in 1964, when Sammy Davis was given the wrong envelope for best music score winner but made a quick correction.

The La La Land-Moonlight mix-up, in contrast, took a painfully long time to be announced, with two-plus minutes elapsing before it was announced to the moviemakers and the world at large.

The embarrassing episode stepped squarely on what should have been a night of high-fiving for the academy. After last year's awards were clouded by the #OscarsSoWhite protests, diversity ruled Sunday as actors Viola Davis (Fences) and Mahershala Ali (Moonlight) were among the people of colour claiming trophies, while Moonlight focused on African-American characters.

PwC, which originated in London over a century ago, was quick to apologize to the movies involved.

'Painstaking' process

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PwC representatives Martha L. Ruiz and Brian Cullinan are seen on the red carpet ahead of the Academy Awards. (Christopher Polk/Getty Images)

On paper, the process for announcing Oscars winners seems straight-forward. As per protocol, Cullinan and PwC colleague Martha Ruiz toted briefcases to the awards via the red carpet, each holding an identical set of envelopes for the show's 24 categories. The accountants also memorize the winners.

During the telecast, the accountants were stationed in the Dolby Theatre wings, one stage left and one stage right, to give presenters their category's envelope before they went on stage. Most presenters entered stage right, where Cullinan was posted and where he handed Beatty and Dunaway the errant envelope.

Yet the previous award, best actress, had been presented by Leonardo DiCaprio, who entered stage left and received the envelope from Ruiz. That left a duplicate, unopened envelope for best actress at stage right.

'It was more crazy onstage. I feel like backstage knew that something was wrong and they handled it'- Matt Sayles, AP photographer backstage

"It's a simple process, if a painstaking one," said Dan Lyle, who had Oscar duties for Price Waterhouse for 11 years in the 1980s and '90s. Accountants attended rehearsals to learn whether presenters would enter from the right or left. But given the possibility of last-minute changes, both accountants had a full set of envelopes.

When Lyle ended up with a redundant envelope for a category handled by his colleague, he said, he got it out of the way by stuffing it in a pocket or otherwise discarding it before moving on to the next award.

Lyle said there were always nerves no matter how much care was taken. Each time an envelope was dispensed, he said, he hoped that "I handed over the right one." If the wrong winner was announced, a PwC accountant was to quickly dash to the stage to correct the error.

Confusion onstage

Such a rapid response should have occurred Sunday but didn't, as confusion reigned onstage. Backstage, however, people were working calmly to right the ship, said Matt Sayles, a freelance photographer for The Associated Press.

"It was more crazy onstage. I feel like backstage knew that something was wrong and they handled it," Sayles said. "They clearly knew that something was wrong."

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Members of the stunned Moonlight team takes the stage to join Beatty, who shows their as the true winner of best picture Oscar. (Mark Ralston/AFP/Getty Images)

Sayles, who has shot five Academy Awards from a backstage position just out of the sight of television cameras, said the result of the mix-up was a more subdued celebration from winners including Moonlight director Barry Jenkins.

One observer said PwC is scrambling now. Nigel Currie, an independent branding specialist in London with decades' worth of industry experience, said this mistake is "as bad a mess-up as you could imagine."

"They had a pretty simple job to do and messed it up spectacularly," he said. "They will be in deep crisis talks on how to deal with it."

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Academy apologizes for Oscars best picture gaffe

Dave Chappelle to present Just for Laughs with CSA's Icon Award

One of the world's top comedians will present a special award to one of the world's best-known comedy brands at the Canadian Screen Awards.

Dave Chappelle will be in Toronto to present Just For Laughs with the Academy Icon Award, which celebrates the institutions behind important achievements in Canada's screen industry.

Founded in 1983 in Montreal, Just For Laughs has become one of the world's best-known comedy brands. Many of North America's top comedians, including Russell Peters, Louis CK and Chappelle, performed at the festival early in their careers.

Dave Chappelle JFL

Dave Chappelle performs at the Just For Laughs festival in 2000. (Just For Laughs/YouTube)

Just For Laughs has produced more than 1,000 hours of standup comedy for television series and specials, and also spawned the Just for Laughs Gags spinoff series. Just For Laugh programs have aired in more than 130 countries, and inspired polite chuckles on commercial airline flights around the world.

"With over 30 years of brilliant work, Just for Laughs is one of the world's finest comedy brands, firmly established as the quintessential breeding ground for Canadian comedy," Martin Katz, chair of the Academy of Canadian Cinema & Television, said in a statement.

Note: strong language in following video

Chappelle's first of many appearances at the festival was in 1992. He became wildly popular in the early 2000s with his sketch comedy program Chappelle's Show and earned two Emmy nominations.

After a long hiatus from the spotlight, he started performing more regularly in recent years, including hosting Saturday Night Live's first show after the 2018 U.S. election. He recently announced he will record three Netflix comedy specials in 2017.

The Academy established the Icon Award in 2015 and past winners include This Hour Has 22 Minutes and Insight Productions, the studio behind Battle of the Blades, last summer's Tragically Hip concert, as well as the Canadian versions of programs like The Amazing Race and Top Chef.

Chapelle will present the award to JFL founder Gilbert Rozon and COO Bruce Hills during the CSA awards ceremony at Toronto's Sony Centre for the Performing Arts, which airs March 12 at 8 pm (9PM AT, 9:30 NT) on CBC-TV.

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Dave Chappelle to present Just for Laughs with CSA's Icon Award

Ontario attorney general to speak on event ticket selling, buying

Attorney General Yasir Naqvi is set to make an announcement this morning about the buying and selling of concert and other tickets in Ontario.

Naqvi will be joined by Kingston MPP Sophie Kiwala, who has introduced a private member's bill aimed at banning "scalper bots" that scoop up huge blocks of tickets, shutting out regular fans who are forced to go to expensive ticket resellers.

Last October, Naqvi promised that legislation would be introduced by this spring to try to protect consumers — although he admitted it would be tough to stop resellers operating in other jurisdictions.

Naqvi said he wanted to consult with colleagues in other jurisdictions like New York, which is also struggling with the issue.  

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Are video games the key to world peace?

For years, video games have had a bit of a PR problem.

Gun-heavy games like Grand Theft Auto or Call of Duty are often cited as bad influences, especially on children, because of their emphasis on graphic violence.

Seasoned gamers, however, will be familiar with entire genres that focus on positive relationships rather than confrontation — they've built global empires through diplomacy in Civilization or tended to pastoral farms in Stardew Valley.

The subject matter in games has become quite diverse, and rather than compelling you to carry out acts of aggression, many games now ask you to consider the decisions behind them.

Take This War of Mine, which puts you in the shoes of a civilian trying to escape a conflict zone, or Papers, Please, where you play an immigration officer approving or denying applicants on the border of a 1980s authoritarian state.

Commentators have coined them "serious" or "empathy" games, which use their narratives and underlying mechanics to evoke powerful human emotions.

The United Nations has taken notice, which is why UNESCO's Mahatma Gandhi Institute of Education for Peace (UNESCO-MGIEP) commissioned a Toronto researcher to write an extensive study on the topic.

Not only that, but the UN is set to release two empathy games of its own.

1979 Revolution Black Friday Reza close up

Unlike many popular games, empathy games often put you in a sitaution of powerlessness. (Ink Stories)

When done right, games such as these can be more effective than traditional media like film or books in inspiring compassion, says Paul Darvasi, who teaches at Royal St. George's College in Toronto.

"The interesting thing about video games is you make the decisions while you're playing, and then you also have to deal with the consequences of those decisions," said Darvasi.

That level of immersion "brings you much closer to the reality of the situation," he says, and has the potential to foster greater understanding between people of different perspectives and life experiences.

Empathy through interaction

In a statement, UNESCO-MGIEP director Anantha Duraiappah told CBC News that when it comes to evoking empathy, "video games have an edge over traditional classroom teaching."

In the study, Darvasi examined several games for their potential "to cultivate perspective-taking and empathy [and] explore ethical dilemmas."

In other words, players learn to appreciate complex moral quandaries when they are forced to play them out themselves and confront the consequences.

This War of Mine Katia died

Your characters in This War of Mine can die of starvation, wounds or even depression if you don't manage their health and morale. (11 bit studios)

The games that Darvasi studied often take place in settings familiar to action games, like war zones. The difference is that they place you in a position of vulnerability rather than power.

In Hush, a free-to-play game set during the 1994 Rwandan genocide, players must help a Tutsi woman keep her child asleep by singing lullabies in order not to attract attention from a Hutu patrol.

The study also looks at 1979 Revolution: Black Friday, an adventure game set in the Iranian Revolution. Players take on the role of Reza, a photographer documenting protests against the Shah who finds himself increasingly embroiled in the political unrest.

In several scenes, Reza, detained in Tehran's notorious Evin Prison, must decide whether to cooperate with his interrogator. Choosing to resist or comply will determine whether his brother, who is also imprisoned, will be tortured.

CAS Paul Darvasi games

Paul Darvasi's UNESCO paper argues that video games can be used to promote peace education and conflict resolution. (CBC)

"I believe that suspense and action can be just as strong when somebody's shooting at you by ducking and trying to choose, 'Who do I save — my brother or my cousin?'" said Navid Khonsari, the Iranian-Canadian producer behind 1979 Revolution, in a CBC Radio interview last year.

"That element can be just as suspenseful as picking up a gun and shooting the soldiers back."

Survivor's guilt

In This War of Mine, you control several civilians in a ruined city loosely based on the 1996 siege of Sarajevo during the Bosnian war. They have to scavenge ruins for food and supplies while tending to their injuries and avoiding sniper fire.

Players often have to steal from, harm or even kill other characters to survive.

From a strategic perspective, you take advantage of every available resource to do so. But does the equation change when the resources are the lives of other people who are also simply trying to survive?

This War of Mine brings empathy to the forefront by asking players whether they're willing to sacrifice compassion to win.

1979 Revolution Black Friday 01

In 1979 Revolution: Black Friday, you are Reza, a photographer observing the political unrest during the Iranian Revolution. (iNK Stories)

"I was aghast at how quickly my empathy eroded in a video game, which made me more cognizant of its fragility in real life," wrote Evan Narcisse in his review for the gaming site Kotaku.

"It's the kind of game that could potentially change the way you watch the news, treat others or cast a vote in an election."

Games for peace education

UNESCO-MGIEP is so committed to exploring the potential for social-justice education that it plans on launching two games made in-house.

World Rescue, due in March, asks players to solve global problems such as disease, deforestation and drought. Another, as-yet unnamed title based on the UN's Inclusive Wealth Index forces players to strike a balance between building short-term wealth and long-term sustainability.

Although he lauds empathy-driven games, Darvasi cautions that playing them won't instantly teach someone to be a better person — any more than playing a first-person shooter automatically breeds real-life violence.

"Much work remains to be done before this emergent, complex and rapidly evolving medium can be more effectively leveraged for the ends of social good," he writes.

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Are video games the key to world peace?

La La Land was best picture for 2 minutes 29 seconds. Here are some other Oscar numbers

lundi 27 février 2017

Not many people griped about how long the Oscars ran overtime during Sunday's ceremony, thanks to the shocking best picture blunder that came at the show's tail end.

But the ceremony did have a few numbers worth considering.

Here are some key figures from the Oscars and how they factored into the show. (And in case you were wondering, it clocked in at three hours 49 minutes, ending around 12:19 a.m. ET).

2 minutes 29 seconds

That's how long La La Land was best picture — from the moment it was announced by Faye Dunaway to when La La Land producer Jordan Horowitz broke the news that a mistake had been made and Moonlight was the actual winner.

Huge Oscar mix-up: wrong best picture announced2:49

During those moments, the elated cast and crew of La La Land took to the stage, where Horowitz and fellow producers Marc Platt and Fred Berger delivered victory speeches, all while members of the show's staff and accountants from PricewaterhouseCoopers scrambled behind them to correct the error.

"This is not a joke," Horowitz told the crowd, shortly after announcing the real winner and still clutching onto the trophy he had just been given. "I'm going to be really proud to hand this to my friends from Moonlight."

600 per cent

The number of Google searches for Steve Harvey skyrocketed after Oscars host Jimmy Kimmel jokingly blamed him for the fiasco moments after it happened.

Harvey endured similar embarrassment in 2015, when he announced the wrong winner during the Miss Universe pageant. He offered advice to Dunaway's co-presenter Warren Beatty on Monday, telling him to handle the flub with "dignity and grace."

"Warren, I know your pain."

7 hours 47 minutes

O.J.: Made in America not only snagged the prize for documentary feature but also the distinction of being the longest film to ever win an Oscar, with a running time of seven hours 47 minutes.

It tops the seven-hour 11-minute epic War and Peace, which won best foreign language film in 1969.

2 Trump allusions

U.S. President Donald Trump was never explicitly mentioned during any of the night's 24 acceptance speeches. But two of the winners did allude to the U.S. president's controversial actions.

Asghar Farhadi, director of the foreign-language film winner The Salesman, skipped the awards ceremony to protest Trump's travel ban, which he called "inhumane." The ban affects Iran, Farhadi's home country, and six other countries, something mentioned in the director's statement read out on his behalf by Iranian-born U.S. engineer and astronaut Anousheh Ansari.

89th Academy Awards - Governors Ball

Moonlight's writer-director Barry Jenkins alluded to U.S. President Donald Trump during his acceptance speech for best adapted screenplay. (Al Powers/Invision/Associated Press)

Moonlight director Barry Jenkins also alluded to Trump while accepting his award for best adapted screenplay. He wore a blue ribbon in support of the American Civil Liberties Union and vowed not to forget those whose rights were threatened.

"For the next four years, we will not leave you alone, we will not forget you," he said.

Kimmel did refer to the president by name, poking fun at his behaviour and baiting him with a couple of mid-show tweets. Trump kept quiet during the show, but did weigh in Monday, telling Breitbart News the show had flubbed because "they were focused so hard on politics."

1st Muslim actor to win an Oscar

Sunday's show got off to a historic start, with the night's first prize (best supporting actor) going to the first Muslim actor to win an Oscar — Mahershala Ali for his performance in Moonlight. Ali didn't mention the milestone in his speech, but was asked about it in the press room backstage.

89th Academy Awards - Press Room

With his win for best supporting actor, Moonlight's Mahershala Ali became the first Muslim actor to earn an Academy Award. (Jordan Strauss/Invision/Associated Press)

He told reporters he didn't necessarily feel religion was relevant in this circumstance.

"I'm just an artist who feels blessed to have had the opportunities that I have had and try to do the most with every opportunity that's come my way."

32.9 million

That's how many people watched the broadcast, according to Nielsen. That's about a million less than last year, when 34.3 million people tuned in to see Chris Rock host.

It's also the show's smallest audience in almost a decade, dating back to 2008, when 32 million viewers watched Jon Stewart host.

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La La Land was best picture for 2 minutes 29 seconds. Here are some other Oscar numbers

Joseph Boyden says APTN report likening his story to Ojibway healer's 'feels like an attack'

Monday February 27, 2017

Canadian author Joseph Boyden is once again on the defence after a news report highlighted similarities between one of his short stories and that of an Ojibway storyteller. 

An Aboriginal Peoples Television Network report notes parallels between Boyden's short story Bearwalker from the 2001 anthology Born With A Tooth and Inside My Heart by the late Ojibway healer and storyteller Ron Geyshick published in the 1989 book Te Bwe Win.

Both stories reference a man who falls ill, locks himself inside his home by sticking knives in the door jambs, and receives visits from black and white clad people. APTN highlights passages from both stories that share similar wording.

Boyden, who says he had never read Te Bwe Win until these allegations surfaced, told As It Happens guest host Helen Mann the controversy centres around "a few paragraphs" of a "6,000-plus word story."

'There are some striking similarities, yes, but this was a story that I heard and it was floating around.'- Joseph Boyden, author

"Of the hundreds of thousands of words that I've published, no one's ever come to me before and said, 'You've taken my story' or 'You are a thief,' and I think this is the way people are trying to paint me right now — some people, anyway — and it couldn't be anything further from the truth," he said.

The story, reported by APTN's Jorge Barrera, came to light amid the fallout over another Barrera investigation that cast doubt on Boyden's self-proclaimed Indigenous heritage.

"A small part of me is Indigenous, but it's a big part of who I am," he told CBC Radio's Candy Palmater when talking about the APTN report.

"I fear that I've become a bit too big, one of the go-to people when it comes to Indigenous issues in this country," Boyden said.

"I should be allowing those with deeper roots in their communities to speak for their communities."

Joseph Boyden: 'I fear my ego has gotten too big for that'0:42

In an interview with As It Happens, the author called the controversy over his heritage "manufactured drama."

"You know, people want to discredit me, certain people, and it's gotten to the point where I have to speak out now and not allow them to try and discredit me," Boyden said. "To be painted with such a broad brush by a few is deeply unfair."

APTN and Barrera declined to comment on Boyden's remarks.

Who owns oral stories?

Boyden says the tale of the sick man and his visitors is based on an oral story that he'd heard from multiple people in Northern Ontario Indigenous communities in the '90s, none of whom claimed ownership over it. 

"There are some striking similarities, yes, but this was a story that I heard and it was floating around," he said.

"I think what the big story here, or what people want to make, is the idea of who is allowed to tell an oral story and who isn't, and who is allowed to have a voice and who isn't."​

He says he first heard it from trapper Xavier Bird in Fort Albany, Ont., and later heard it again in Moosonee, Ont.

But Xavier Bird's brother Louis Bird, a pre-eminent storyteller in the region, told APTN the parable is not known in the Mushkegowuk Cree territory, which includes Fort Albany and Moosonee. 

"I can't speak for Louis, unfortunately, but I do know what I do know and I know what I've heard," Boyden said.

'This feels like an attack'

Judith Doyle, who co-wrote Te Bwe Win with the late Geyshick based on his own stories and others from his community, told APTN the similarities go too deep to be brushed off as coincidence. 

"The stories formally share intimate structural details, they begin and end exactly the same way, the turns of phrase, the cadence, the description, the characters, such symmetry between the two passages," she said.

She is calling for a full investigation.​

Boyden, however, maintains he has done nothing wrong.

"The sheer amount of energy and time and focus and unhappiness and anger directed at me has been a little bit astounding," Boyden said. 

"This feels like an attack by the same people, the same organization, and you know they will try to silence me, but I'm a storyteller, I'm a writer, I'm not going to allow my voice to be silenced."

For more on this story, listen to our full interview with Joseph Boyden

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Oscar envelopes explained: How do presenters get the winning names?

A look at how the Academy Awards' winners envelopes are handled before being opened live onstage:

  • The consulting firm PwC, formerly Price Waterhouse Coopers, tabulates the winners based on ballots cast by the academy's 6,687 voting members. Unlike the nominations, which rely on a branch-specific, preferential-voting system, winners are chosen by popular vote.
  • Two accountants are tasked with bringing the final results, inside sealed envelopes, to the Oscars ceremony. They are the people carrying briefcases on the red carpet, flanked by police protection. Each briefcase contains an identical set of envelopes for the show's 24 categories. The accountants also memorize the winners.
89th Academy Awards - Arrivals

PwC accountants Martha Ruiz and Brian Cullinan arrive with the winners envelopes at the Oscars. (Jordan Strauss/Associated Press)

  • The two accountants are ostensibly the only people who know the winners before they are announced live on TV.
  • During the telecast, the two briefcase-toting accountants are stationed in the Dolby Theatre wings, one stage left and one stage right.
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Accountant Brian Cullinan is seen handing Brie Larson the best actor envelope backstage. (Matt Sayles/Associated Press)

  • Most presenters enter stage right. They come backstage a few minutes ahead of time, and the accountant hands them their category's envelope just before they walk onstage. The sealed envelope with the winner's name inside is opened live onstage.
  • The second-to-last award, best actress, was presented by Leonardo DiCaprio, who entered stage left. PwC representative Martha Ruiz handed him the envelope for the correct category.
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Leonardo DiCaprio arrived from stage left to present best actress, the penultimate award of the night. (Kevin Winter/Getty Images)

  • On Sunday, Warren Beatty and Faye Dunaway entered stage right, where PwC representative Brian Cullinan handed them the errant envelope.
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Faye Dunaway, left, prodded fellow presenter Warren Beatty as he paused quizzically after opening the envelope. (Kevin Winter/Getty Images)

  • A duplicate, unopened envelope for best actress had remained stage right, and apparently ended up in the hands of Beatty and Dunaway. 

Huge Oscar mix-up: wrong best picture announced2:49

89th Academy Awards

The star-studded audience reacted in shock as the best picture mix-up was revealed. (Matt Sayles/Invision/Associated Press)

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Oscar envelopes explained: How do presenters get the winning names?

Game of Thrones giant, actor Neil Fingleton, dies at 36

Neil Fingleton, a seven-foot-seven-inch actor who played the giant Mag the Mighty in Game of Thrones, has died at 36.

The Tall Persons Club says Fingleton, who was Britain's tallest man, died Saturday. British media reported the cause as heart failure.

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Neil Fingleton, who played college basketball in the United States, is seen in 2000 playing in the McDonalds High School All-American game in Boston, Mass. (Getty Images)

Fingleton was recognized by Guinness World Records in 2007 as the U.K.'s tallest man.

Born in northeast England in 1980, Fingleton told the Guinness records website in 2006 that "I have always been taller than everyone since I can remember."

His height made him a basketball natural, and Fingleton played college basketball in the United States for the University of North Carolina and the College of the Holy Cross in Worcester, Mass.

He went on to a short professional basketball career in the U.S. and Europe before turning to acting.

He appeared in films including 417 Ronin and X-Men: First Class and in TV shows including Doctor Who and the hit fantasy series Game of Thrones.

In the Games of Thrones, the fearsome Mag was a giant on the northern side of the great ice wall that was guarded by Lord Commander Jon Snow and the black-clad men of the Night's Watch.

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Game of Thrones giant, actor Neil Fingleton, dies at 36

'Warren, I know your pain:' Steve Harvey offers advice after Oscars snafu

If Warren Beatty needs someone to talk to following Sunday night's epic award mix-up at the Oscars, Steve Harvey has open ears.

While hosting the Miss Universe pageant in 2015, Harvey accidently named the wrong woman as the winner during the live broadcast. The cringeworthy moment prompted much mockery — something Oscars host Jimmy Kimmel was quick to quip about in midst of the ceremony's confusion Sunday night.

"This is very unfortunate what happened. Personally I blame Steve Harvey for this," he told the audience.

Sunday's err was apparently caused by an envelope mix-up, leading Beatty and co-presenter Faye Dunaway to hand out the best picture award to La La Land instead of the real winner, Moonlight. Beatty didn't even end up reading the envelope. Looking confused, he had his co-presenter Dunaway do the honours.

Harvey joked Monday on Twitter he went to sleep early and asked if he missed anything. He later added: "Call me Warren Beatty. I can help you get through this!"

'Warren, I know your pain'

He offered a bit more context on his radio show Monday morning, telling Beatty to handle the flub with "dignity and grace."

"Warren, I know your pain," he said. "I am the creator of these moments."

He ended his reflection quoting Martin Luther King, Jr., telling listeners he was "free at last" and thanked "God almighty" it wasn't just him who had botched an awards show.

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'Warren, I know your pain:' Steve Harvey offers advice after Oscars snafu

Acceptance speech, interrupted: a history of awards-show gaffes

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(Kevin Winter/Getty)

The best picture blunder, in which the highly coveted Oscar on Sunday evening was mistakenly handed to La La Land before being awarded to Moonlight, was an embarrassing error fit for the Hollywood history books.

But it wasn't by any means without precedent — in fact, awards shows have long been littered with such incidents. Envelopes have been swapped, winners have been named in error, and nominees mistakenly honoured.

Here's a look back at a selection of some cringe-worthy gaffes made at awards shows.

'Warren, what did you do?'

The producers of La La Land were in the middle of delivering their acceptance speeches having claimed best picture at the Academy Awards Sunday night, when in a stunning turn of events, the highly coveted award was handed over to the makers of Moonlight.

Host Jimmy Kimmel teased presenter Warren Beatty, asking him, "Warren, what did you do?" as the makers of La La Land stepped aside. Beatty had paused when he opened the envelope in a moment of confusion before his co-presenter Faye Dunaway announced La La Land the winner.

"Very clearly, even in my dreams, this could not be true," said Barry Jenkins, the director of Moonlight, as he took the microphone to accept the award. "But to hell with dreams — I'm done with it, because this is true."

The accounting firm PwC, which oversees the counting of the ballots, has apologized for the blunder that was captured on live television and broadcast around the globe.

Another error was made during the In Memoriam montage, in which a photo of Australian film producer Jan Chapman, who is alive and well, was shown.

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(Kevin Winter/Getty)

And the nominees aren't …

When the Academy announced the roster of 2017 nominees in January, they had too many people listed in the best actor and actress categories on their official website.

Amy Adams for Arrival and Annette Bening for 20th Century Women were listed as nominees vying for the best actress trophy. Tom Hanks, for Sully, was also mistakenly named as a best actor nominee. The Academy apologized for their error.

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(Christopher Jue/Getty)

'Horrible mistake, but the right thing'

Miss Universe host Steve Harvey in 2015 mistakenly named Miss Colombia, Ariadna Gutierrez Arevalo the winner before handing the crown over to Pia Wurtzbach, Miss Philippines.

"Horrible mistake, but the right thing," Harvey said during the broadcast, realizing his error. "I can show it to you right here. The first runner-up is Colombia."

Harvey later explained the gaffe as a human error and the producers of the show apologized for the mistake, saying these kinds of incidents sometimes happen during live telecasts.

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(Ethan Miller/Getty)

Wrong envelope error

Presenter Aisha Tyler was also handed the wrong envelope at the 2013 Daytime Emmy Awards, but she quickly realized the error.

"Oh, interestingly enough this winner is not in this category," she said. "If I read it out I'm going to give another category away."

Tyler filled time making jokes, as another envelope was rushed to the stage.

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(Kevin Winter/Getty)

Counting error in Cannes

Pop star Katy Perry in 2009 was given the award for best international song at France's NRJ Music Awards for her song I Kissed A Girl.

But at the end of the evening, host Nikos Aliagas announced that a counting error had been made and the award would actually be given to Rihanna for her song Disturbia.

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(Valery Hache/AFP/Getty)

Two Franks, one Oscar

Director Frank Capra, seen at far right in this photo taken at the 1938 Academy Awards, in 1934 rushed to collect the award for best director after presenter Will Rogers opened the envelope and declared, "Come up and get it, Frank!"

But there were two Franks nominated, Capra for Lady for a Day and Frank Lloyd for Cavalcade. The trophy was awarded to Lloyd. 

Capra later described the humiliating experience of returning to his seat, empty-handed as "the longest, saddest, most shattering walk in my life. I wished I could have crawled under the rug like a miserable worm. When I slumped in my chair I felt like one. All my friends at the table were crying."

The next year, Capra collected the best director Oscar for It Happened One Night.

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(General Photographic Agency/Getty)

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Acceptance speech, interrupted: a history of awards-show gaffes

Producer in Oscars' In Memoriam montage is still alive

The best picture gaffe got the most attention at last night's Academy Awards in Los Angeles, but another error —involving the use of a wrong photo in the In Memoriam section of the broadcast — soon came to light.

Australian film producer Jan Chapman says she was "devastated" to see her image appear in the In Memoriam montage in place of a photo of her late friend, costume designer Janet Patterson.

The slide showed Patterson's name and title correctly, but included an image of Chapman instead. Patterson died in October.

"I was devastated by the use of my image in place of my great friend and longtime collaborator Janet Patterson," Chapman told Variety in an email. "I am alive and well and an active producer."

Patterson was nominated for four Academy Awards for her costume design work in The Piano, Portrait of a Lady, Oscar and Lucinda and Bright Star. She also won a BAFTA award and four Australian Film Institute Awards.

Chapman and Patterson worked together on multiple films, including The Piano and Bright Star.

The Academy of Motion Picture Arts and Sciences has yet to make a comment about the error, which came before Bonnie and Clyde icons Warren Beatty and Faye Dunaway appeared onstage to announce the best picture, and La La Land was wrongly named as the winner. The mistake was corrected, naming Moonlight as the real winner, after La La Land cast members had already taken to the stage.

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Producer in Oscars' In Memoriam montage is still alive

PwC's hard-won reputation under threat after Oscars mix-up

For 82 years, global accounting and consulting firm PwC has enjoyed a reputational boon from handling the balloting process at the Academy Awards.

Now its hard-won status is under threat.

The company was responsible for a colossal mistake at the 89th Academy Awards on Sunday night when actors Faye Dunaway and Warren Beatty wrongly announced the top Oscar to La La Land, instead of Moonlight.

The presenters, it turned out, had been given the wrong envelope by tabulators PwC, in this case the one awarding Emma Stone for best actress for her role in La La Land. They corrected the mistake on air but it's not clear yet how that happened.

Whatever the reason, it's been a cue for endless jokes and hilarity around the world.

For London-headquartered PwC, it's anything but funny.

According to Nigel Currie, an independent London-based branding specialist with decades' worth of industry experience, this mistake is "as bad a mess-up as you could imagine."

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La La Land producer Jordan Horowitz and Moonlight's Mahershala Ali hug. (Lucy Nicholson/Reuters)

"They had a pretty simple job to do and messed it up spectacularly," he said. "They will be in deep crisis talks on how to deal with it."

Brands go to extraordinary lengths to protect their image and reputation and to be seen as good corporate citizens. History is littered by examples when a hard-won reputation nosedives — from sporting legends Tiger Woods and Lance Armstrong to business giants like BP following the Deepwater Horizon oil spill disaster.

PwC apologizes in statement

Currie says PwC has no other option than to front-up immediately and explain exactly what happened to contain the damage to its reputation.

"They are absolutely in the spotlight for next week and for longer probably as it unfolds," he said. "They have to show what happened."

PwC, which was formerly known as PricewaterhouseCoopers and originated in London over a century ago, has been quick to apologize but has yet to fully explain what happened.

"The presenters had mistakenly been given the wrong category envelope and, when discovered, was immediately corrected," it said in a statement. "We are currently investigating how this could have happened, and deeply regret that this occurred."

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Adele Romanski speaks as the cast of best picture Moonlight stand on stage. (Lucy Nicholson/Reuters)

PwC's representatives at the awards ceremony were Brian Cullinan, a partner at the firm and, according to his bio on the company's website, a Matt Damon lookalike, and Martha Ruiz, the second woman to serve as a PwC Oscars tabulator.

Cullinan is the lead partner for the Academy of Motion Picture Arts and Sciences, including the annual balloting for the Oscars ceremony. He has been part of the balloting team since 2014.

Ruiz, a 19-year veteran at PwC who specializes in providing tax compliance and advisory services to entertainment clients in southern California, joined Cullinan as the Oscars balloting co-leader in 2015.

In a promotional video on the company's website ahead of Sunday's show, Cullinan said he and Ruiz are the only two who knew who the winners were on the night of the awards.

"There are 24 categories. We have the winners in sealed envelopes that we hold and maintain throughout the evening and hand those to the presenters before they walk out on stage," he said.

Cullinan said PwC's relationship with the Academy Awards is testament to the firm's reputation in the market for being "a firm of integrity, of accuracy and confidentiality and all of those things that are really key to the role we have with the Academy in counting these ballots."

"But I think it's really symbolic of how we're thought of beyond this role and how our clients think of us and I think it's something we take very seriously and take a lot of pride in."

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PwC's hard-won reputation under threat after Oscars mix-up

'This is not a joke': Confusion, Moonlight and other Oscar highlights

dimanche 26 février 2017

There was drama, comedy and even a plot twist on Sunday at the 89th Academy Awards in Los Angeles.

Here are a few memorable moments that stood out and, of course, the one that stood above the rest.

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A handout photo made available by the Academy of Motion Picture Arts and Science (AMPAS) on 26 February 2017 shows Warren Beatty trying to explain the envelope mishap that ended the 89th annual Academy Awards ceremony in stunning fashion. (Aaron Poole/AMPAS/EPA)

The astronaut

There were many standing ovations at the ceremony, but one of the loudest was for 98-year-old NASA astronaut Katherine Johnson, the inspiration for the film Hidden Figures.

Johnson was introduced by Taraji P. Henson — who portrayed her — and her co-stars in the film about female black mathematicians who helped NASA in the U.S. space race with the Soviets.

Henson called Johnson "a true NASA and American hero."

Wearing a long blue dress, Johnson said, "Thanks very much."

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Katherine Johnson, seated centre, is introduced by actresses from the film Hidden Figures. (Chris Pizzello/Invision/AP)

​The tourists

At one point, host Jimmy Kimmel pranked an unsuspecting gaggle of tourists. The group thought they were going to an exhibit but ended up in the front row with Meryl Streep and Casey Affleck.

The tourists awkwardly interacted with movie stars, with some shaking hands with Ryan Gosling and others rubbing Mahershala Ali's Oscar award like it would grant them three wishes. Kimmel even had Jennifer Aniston give her sunglasses to a woman with a selfie stick.

The bit was inspired, but eventually dragged on and on ... and on.

89th Academy Awards - Show

Jimmy Kimmel, right, looks on as a tourist named Gary kisses Nicole Kidman's hand at the Oscars on Sunday. (Chris Pizzello/Invision/AP)

The feud

Kimmel has had a longstanding faux feud with actor Matt Damon, which spilled over into the Oscars.

"I've known Matt for a long time now," Kimmel said. "I've known Matt for so long, when I first met Matt, I was the fat one."

At various point in the ceremony, Damon tried to trip Kimmel as he was walking aisle; Kimmel sent up Damon's We Bought a Zoo as part of the night's periodic segments on films that stars admired.

When Damon finally went up to present a screenplay Oscar, Kimmel commandeered the orchestra and personally initiated the so-called "wrap it up" music every time Damon tried to speak.

The boycott

Iran's The Salesman won for best foreign language film, but its director Asghar Farhadi, who won the same award in 2011 for A Separation, was not there to accept the award.

Farhadi boycotted the ceremony in protest to U.S. President Donald Trump's recent executive order, struck down by the courts, which aimed to bar entry to the U.S. to anyone with citizenship from seven Muslim-majority countries. Farhadi is from Iran, one of the seven countries listed in the ban.

"My absence is out of respect for the people of my country and those of other six nations who have been disrespected by the inhumane law that bans entry of immigrant to the U.S.," Farhadi said in a statement read by Iranian astronaut Anousheh Ansari, who accepted the award on his behalf.

The moment drew parallels to Marlon Brandon's 1973 boycott.

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Anousheh Ansari accepts the award for best foreign language film for The Salesman on behalf of Asghar Farhadi. (Chris Pizzello/Invision/AP)

The tweets

Kimmel predictably reprised his show's Mean Tweets segment, with perhaps the funniest Ryan Gosling's reading of a foul-mouthed jealous type.

Kimmel had earlier in the show joked that Trump would tweet about the Oscars "during his 5 a.m. bowel movement," taking a jab at Trump's early morning Twitterstorms.

But rather than wait, he decided to tweet directly at the president. Live on TV. At the Oscars. Twice.

Trump has yet to reply.

The mistake

To quote Kanye: "Did he forget the names just like Steve Harvey?"

Best picture presenters Warren Beatty and Faye Dunaway — stars of the classic film Bonnie and Clyde — were nearly involved in the greatest Hollywood heist of all time when they mistakenly announced that La La Land had won.

While the film's cast and crew were celebrating onstage, La La Land producer Jordan Horowitz took the mic and made the correction.

"No, there's a mistake. Moonlight, you guys won best picture" he said. "This is not a joke."

And yet, it was the funniest moment at the 89th Academy Awards.

Oscars mixup: And the award goes to....2:50

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'This is not a joke': Confusion, Moonlight and other Oscar highlights

Oscars roll out the red carpet in Hollywood

Fans of film, frocks and famous faces have turned their eyes to Hollywood tonight for the 89th annual Academy Awards. The Oscars are taking place at the Hollywood and Highland Center's Dolby Theatre in Los Angeles.

CBC News is following the events as they unfold on our live blog.

The musical love story La La Land is the one to beat heading into the awards after it nabbed a record-tying 14 nominations. Its has been a favourite of critics groups and other awards shows this season. Its rivals for best picture are: 

  • Arrival
  • Fences
  • Hacksaw Ridge
  • Hell or High Water
  • Hidden Figures
  • Lion
  • Manchester by the Sea
  • Moonlight
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How will Jimmy Kimmel fare as host? (Kevork Djansezian/Getty Images)

Late-night TV's Jimmy Kimmel makes his debut as Oscar host, joining a club of funny folks whose membership includes Ellen DeGeneres, Whoopi Goldberg, Billy Crystal and Bob Hope.

Celebrity presenters include Meryl Streep (nominated tonight for a record 20th time but declared "overrated" by U.S. President Donald Trump), 2016's acting winners — Leonardo DiCaprio, Brie Larson, Alicia Vikander and Mark Rylance — as well as Halle Berry, Amy Adams, John Cho, Dwayne Johnson, David Oyelowo, Scarlett Johansson, Gael Garcia Bernal, Samuel L. Jackson, Hailee Steinfeld and more.

Oscar 2017 performers

Performers to take to the Oscars stage tonight include (clockwise from top left) Sara Bareilles, Sting, John Legend, Auli'i Cravalho, Justin Timberlake and Lin-Manuel Miranda. (Associated Press)

Sara Bareilles will perform during the show's In Memoriam tribute. Taking the stage to sing the five original song contenders are Justin Timberlake (Can't Stop the Feeling from Trolls), John Legend (Audition and City of Stars from La La Land), Lin-Manuel Miranda and Auli'i Cravalho (How Far I'll Go from Moana) and Sting (The Empty Chair from Jim: The James Foley Story). 

With a former reality TV star who delights in creating controversy now in the Oval Office, politics has seeped into all aspects of American life, including the entertainment world. It's widely expected that speeches will get political, as they have throughout the preceding awards season. Whether viewers tune out remains to be seen.

Canadians in the spotlight

It's a banner year for Canuck finalists at this year's Academy Awards, with Ontario-born actor Ryan Gosling vying for a trophy and Quebec filmmaker Denis Villeneuve's sci-fi thinker Arrival a top contender.

Aside from Gosling and Villeneuve's bids for best actor and director respectively, Canadians are also nominated across multiple Oscar categories, including best picture, animated short, production design, set design, sound mixing, sound editing and documentary feature. 

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Oscars roll out the red carpet in Hollywood

Sunrise Records bets on HMV music stores, takes over 70 locations

In an ambitious and risky investment while many bricks-and-mortar music stores struggle, Toronto's Sunrise Records is taking over 70 stores that HMV is closing.

The new locations are in Canadian malls from coast to coast. 

"With HMV leaving, it leaves a big hole in the marketplace," says Sunrise president Doug Putman, "so we just thought it was a good opportunity and the timing was right. So we are going to jump on it and do what we can."

Putman will only say Sunrise is making a seven-figure investment, and he hopes to turn a profit by next year.

He says that with lower head office costs, renegotiated leases and more depth in the record catalogue, Sunrise can succeed where HMV and so many others have failed.

"The reality is there is a large amount of customers that want that physical product that they can touch and hold and have."

Doug Putman, President Sunrise Records

'We just thought it was a good opportunity,' says Doug Putman, president of Sunrise Records. (Lucas Tingle)

Putman says with the renewed popularity of vinyl, "we know there is huge potential there based on our other stores' performance."

"Vinyl will definitely be front-of-store," but he says the stores will also sell CDs, apparel, merchandise and board games.

Putman says allowing managers to make purchasing decisions based on their markets will mean each store will be a bit different.

Canadian music publicist Eric Alper calls the announcement "great news for the music industry." It will create more space for artists to sell records and merchandise, he says.

Eric Alper, Music Publicist

Canadian music publicists Eric Alper say this is great news for the industry. (CBC)

But Alper sees it as a risky move. "There's always a long-term risk because you never know what the trends are going to be."

He says the key for Sunrise will be how well they maintain their stock. Vinyl can be difficult to get quickly, but the company will have a lot of buying power, he says.

HMV lost $100,000 a day

HMV Canada Inc. went into receivership in January and is closing all 102 stores. According to court filings the company was losing $100,000 a day as customers turned toward online media for their music and videos.

The new stores will start to open in April, and Sunrise plans to have the remainder up and running by midsummer. The company is reaching out to the more than 1,000 HMV employees who will be looking for work.

Sunrise is also interested in reopening a location in downtown Toronto, where it was forced to close two stores in 2014. It has 10 locations in suburban Toronto and rural Ontario.

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Sunrise Records bets on HMV music stores, takes over 70 locations

Damascus blocks Syrian Oscar nominee from heading to Academy Awards

A Syrian cameraman and rescue worker whose documentary about the "White Helmets" Civil Defence group has been nominated for an Oscar will not attend the awards ceremony because Damascus has cancelled his passport, the group said on Sunday.

The White Helmets operate a rescue service in rebel-held parts of Syria, which have been subjected to fierce bombardment by the government and Russia's air force during the country's civil war that has levelled whole city districts.

Their film, nominated in the Oscars short subject documentary category, gives a glimpse into the daily lives of the volunteers.

Syria's government under President Bashar al-Assad has accused the group of being a front for al Qaeda and of faking footage of the aftermath of air strikes for propaganda purposes, charges the White Helmets deny.

Two of the rescue workers, their leader Raed Saleh and Khaled Khatib, who is also a cameraman, were given visas by the United States to visit the country for the Oscars' ceremony in Los Angeles on Sunday night.

However, in a statement early on Sunday, the White Helmets said that Saleh would not be able to leave his work because of the high intensity of air strikes.

Meanwhile, Khatib (listed as a cinematographer on the film) could not attend because Syria's government had cancelled his passport.

"The Syrian Civil Defence are grateful for the platform the film The White Helmets is providing for their humanitarian message to reach around the world," the statement said. 

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Damascus blocks Syrian Oscar nominee from heading to Academy Awards

Trans frontwoman Laura Jane Grace proving punk rock isn't a boys club

While surviving and thriving with a Rickenbacker on her hip, Against Me! frontwoman Laura Jane Grace is living proof that testosterone isn't a necessity to stand centre stage at a punk rock show.

With a new tour with Green Day on the horizon, and a brutally honest memoir and a new album in tow, Grace is challenging the norms of a music genre long the home of snarling, angry young men.

"I'm certainly not full of testosterone anymore, I'm literally pumping estrogen into me," she told CBC News. "But you can still feel rage, you can still feel anger, and you can still need that release. It's not exclusive to either gender."

'I just felt more and more dysphoric as I was put into situations like that, because it was less and less me. I didn't know who the audience was — I didn't know who I was.'
- Laura Jane Grace, Against Me!

"In the past, I was male presenting and I had these emotions — now as trans, I'm trying to confront the same emotions and questioning whether or not they are gender specific."

Yet Grace still transitioned while playing a genre of music in which men have had a near monopoly for decades (with some notable exceptions, like Joan Jett, who Grace intensely admires).

The lopsided nature of who gets to stand onstage at a punk show comes as no surprise to her, seeing as Against Me! has been massively important to the genre since forming in Gainsville, Florida in 1997 — and a lightning rod for criticism from purists, who angrily accused the band of "selling out" after its major label success.

Against Me! - 333 (Acoustic)4:10

So what is it like to stand up as a controversial icon in the punk scene and say, "I have gender dysphoria?"

"Well, it wasn't like I woke up every day and I was surrounded by 15 punk rockers who were all pointing fingers at me," she laughed. "I'm just living my own life, and I happen to be in a punk band."

"For the most part everyone has been really supportive, and really surprising in that way."

Though the support was welcomed, it came alongside much pain. In her memoir, Tranny: Confessions Of Punk Rock's Most Infamous Anarchist Sellout, Grace outlines the feelings that threatened to consume her for years, as she fought against her dysphoria.

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Joan Jett (Righ) and Laura Jane Grace performance together at the 2014 Gibson Brands AP Music Awards at the Rock and Roll Hall of Fame and Museum on July 21, 2014 in Cleveland, Ohio. (Duane Prokop/Getty Images)

Several times within the book's pages, she contemplates suicide. Grace is open about her struggles with drugs, and the rift she feels between her and her father. Throughout its pages, Grace almost seems like she's drowning, desperately kicking towards the surface, and to the person she's supposed to be.

She also writes about how difficult it was to reconcile the band's success as it came — both in terms of its punk ethos, and uncertainty over how she was even supposed to act onstage as crowds and expectations grew.

"I was dying as an artist, because I was getting up on stage and I didn't know who I was. We were being put in front of these bigger, high-pressure situations in front of bigger audiences, and I didn't know what to say," she said. "A lot of that was the pressures of the major label world … they want you to fit a certain archetype, and 'Be the male frontman. Be the singer. Say these things on stage. Act this way.'

"I just felt more and more dysphoric as I was put into situations like that, because it was less and less me. I didn't know who the audience was — I didn't know who I was."

But slowly, things began to change. Grace came out publicly in 2012, and the band released Transgender Dysphoria Blues two years later — a hugely important collection of songs that centre on Grace's experience, which reached number 23 on the Billboard chart. It was the highest debut the band had ever had.

Against Me! - Haunting Haunted Haunts (Acoustic)8:12

Crowds changed somewhat too, and a measure comfort came onstage for her. Smiles started appearing between in-song howls. "I assume that if someone is coming to a show now, they're on the same page, somewhat," she said.

The band's new album, Shape Shift with Me, is less an album focused on her journey, and more a collection of songs simply coming from a perspective that's lacking in pop culture today, she says — about what everyday life is like, from a transgender perspective.

"So much of the conversation around transgender lives revolves around just the transition process and the coming out, or the 'reveal,' if you want to put it like that," she said.

"This is examining what happens next."

Against Me! plays FirstOntario Centre with Green Day on March 20.

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Trans frontwoman Laura Jane Grace proving punk rock isn't a boys club

Actor Bill Paxton dead at 61

Actor Bill Paxton, who appeared in Twister, Aliens and Titanic, has died, according to multiple reports.

A number of U.S. media outlets are reporting that the 61-year-old died due to complications from surgery.

At the time of his death, Paxton was part of the cast of the CBS television series Training Day.

He was nominated for an Emmy Award for his performance in the 2012 miniseries Hatfields and McCoys, as well as three Golden Globes for his leading role in the HBO series Big Love.

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Actor Bill Paxton dead at 61

For a more diverse Oscars, Hollywood must go back to high school

With a few flicks of a makeup brush, a few dabs of red, a swirl of brown, Donald Mowat transforms the young man from a student into a victim. 

"It looks like something happened to him and he's just now going home to tell his momma about it," jokes a student, one of the dozen or so in the class crowded around Mowat.

"Can I give you a  couple of little abrasions?" Mowat asks. The answer is, of course, "yes." The high school students watch as Mowat gives his "victim" cuts, then bruises, then a bloody nose, all within the space of two minutes.

"You're so fast with that!" exclaims another student. "That's incredible!"

Mowat's so fast because he's one of the best. Normally you'd find the Montreal-born makeup artist on a Hollywood set, creating award-winning makeup effects for actors like Jake Gyllenhaal and Daniel Craig. But today he's sharing his craft with students at George Washington Preparatory High School in South L.A. Most of the students live in the poor and often violent neighbourhoods between Inglewood and Compton. Hollywood's only about 25 kilometres away, but it might as well be in Mexico. 

Diversity Mentoring Donald Mowat-3

Mowat says the Canadian and American academies haven't been doing enough to mentor young diverse students. (Kim Brunhuber/CBC)

That's why Mowat and a handful of other industry experts visit a couple of times a month to mentor kids at several inner-city schools like Washington Prep. To convince them they belong in Hollywood.

"I think some kids need a little bit more help," Mowat says. "And the ones that want to help, you can't not give it to them."

Over the last two years, much of the talk around Oscar season has been about the lack of diversity. The American Academy of Motion Picture Arts and Sciences, now headed by an African-American woman, has made several high-profile moves to increase the number of diverse Academy members. But to truly transform the industry, Mowat says, Hollywood has to go back to high school.

Diversity Mentoring Donald Mowat-6

Aspiring writer 19-year-old Mariah Green got an internship with CBS, an opportunity she never would have had living in South L.A. without mentoring. (Kim Brunhuber/CBC)

The program at Washington Prep helped the now 19-year-old Mariah Green land an internship at CBS, where she shadowed sitcom writers. Without the mentorship from Mowat and the other professionals, she says there's almost no way she would be at Cal State Northridge, where she has founded a student production company.

"Most communities don't have to feel discouraged, feeling like I don't have time to pursue this because I could lose my life tomorrow," Green says. 

The problem, Mowat says, is that mentoring programs are surprisingly rare. The one that brings him to Washington Prep is organized and funded by the British film academy BAFTA; he says neither the American nor Canadian academies have anything comparable.

"Canada and the US ... seems to be a lack of ability to train or willingness to mentor," Mowat says. "Not everyone can go to school and go to those three- and four-year programs."

Rachel Miller

Rachel Miller, founder of the Film2Future mentoring program, says when it comes to actually funding diversity, there's lots of 'inertia' in the industry. (Kim Brunhuber/CBC)

Rachel Miller, a partner at the L.A. production company Haven Entertainment, is the founder of a year-old mentorship program called Film2Future that gives high school students the chance to make a short film with real pros. She says when it comes to diversity, the industry talks a good game, but often isn't willing to fund initiatives that would actually address the problem.

Talk easier than action

"I think there's a lot of inertia," Miller says. "I think that it's easy to talk about something than to do something. Doing something is hard. It's tough."

And it's short-sighted, according to Franklin Leonard. He founded the Black List, a highly regarded yearly collection of top scripts that haven't been made into films. 

Franklin Leonard

Franklin Leonard, founder of the Black List, says the least expensive thing the film industry could do to improve its bottom line is 'embrace diversity wholeheartedly.' (Kim Brunhuber/CBC)

"These communities are historically being shut out of opportunities that would allow them to prove their talent," Franklin says. 

Bringing students from diverse backgrounds into the pipeline at a young age isn't just good for their individual futures, it's good for the industry as a whole, Franklin says, referring to a recent UCS study that suggests movies with diverse casts make more money at the box office.

"It's good for the bottom line, and I think that when you look at Hidden Figures being the top box office grosser of the Best Picture nominees and you look at the extraordinary success of Moonlight, I think it's really hard to argue," Leonard says. "The least expensive and most significant thing that the industry could do to change its economics in a radical fashion is to embrace diversity wholeheartedly."

But when many young students from poor backgrounds can't access university arts programs, Miller says there's a very limited window to really effect change. 

"We really have to address the pipeline issue and the only way to do that is to start in high school; if we're waiting until college, it's just way too late," Miller says. "People have either dropped out of high school or gone into more traditional fields. While I was at NYU I taught a public school in Manhattan, and the lack of resources are shocking. So I think this idea in Hollywood that we're suddenly going to find diverse kids that go into Harvard or NYU or USC is a bit crazy. We have to start in ninth grade and help kids who are going to public schools who don't have computers or don't have Wi-Fi, who don't have art programs to help them be competitive, help them find their way through, and help them find the spark." 

Elgin James

Director Elgin James, who spent time in prison for gang-related offences, says he's proof that anyone can make a career in Hollywood. (Kim Brunhuber/CBC)

Just ask Elgin James. Not many directors in Hollywood come from as troubled a background as he. In his youth, he ended up homeless. In 2009, he served a year in prison for gang-related activities. But he found his escape in movies and, as an adult, moved to Hollywood where the 45-year-old has written and directed for television and film. 

"I would have killed to have this program when I was a kid," James says. "To know that there's another way to be seen and to be heard in the world rather than just causing damage and havoc or just disappearing. So if there's anything that I can give it's that if I can do this, anybody can do this."

Background can be an asset

That's why he's sitting in a boardroom at Miller's production company with 17-year-old high school student Victoria Reese, giving her feedback on her idea for a TV show about Skid Row.

"The thing that we're most ashamed of, that we try to keep hidden from the world, is crazily enough the thing that makes us so unique," James tells her. 

That's the same lesson 17-year-old Kimberly Villaseñor has been learning from her mentors at Washington Prep.

Till now, she imagined that few successful directors of photography were regularly jolted awake by gunshots. But now she feels that her background isn't a drawback, it's an asset.

"Because then I have a connection, I have a story to tell," Villaseñor says. "Everything in movies is fake, but when you see, these (mentors) are real people, you see these are actually jobs that I can do myself."

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For a more diverse Oscars, Hollywood must go back to high school